Drawings in mixed technique from the artist’s collection, dating from his study years at the Higher Institute of Art (ISA) between 2005 and 2007. These drawings, similar to a note pad, are the artist’s first approach to geographies unknown to him at the time or scarcely seen in books, magazines, and the digital information accessible in Cuba in those years. The origin of his entire painting and subsequent photography can be found in those drawings, which summarize his personal concept of the landscape, of history, and of the impermanence.
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