May 2020

In some previous text I wrote that Korda could never photograph poverty because he did not know it. His artistic climax went on, first in a city full of lights, and since 1959 in a country he toured in detail by the hand of its leaders.

Alberto Díaz Gutiérrez, Korda (Havana, 1928 - Paris, 2001) photographed all its life to dozens of beautiful women, but it is not possible still to trace the aesthetic journey that he made for its faces and bodies.

Behind the veil of a myth considers the most significant moments of the creative process of Cuban printmaker Belkis Ayón (Havana, 1967- 1999) following a virtual tour of the exhibit.

José A. Figueroa es uno de los personajes más singulares de la historia de la fotografía cubana actual. Su experiencia vital y sus circunstancias han sido el motor de arranque para una

For Alexandre Arrechea (Trinidad, Cuba, 1970), drawing, engraving, sculpture, installation and video have all played a part in the search to locate a more extensive space of art, a destination arguably attained in his most recent public art projects.

Belkis Ayón (Havana, 1967-1999) died at the age of thirty-two leaving behind a body of work of considerable importance in the history of contemporary printmaking. Her death remains a painful mystery for the international art community.

José A. Figueroa (Havana, 1946) has spent more than four decades covering the life of his country, as a photographer.

I Insulted Flavio Garciandía in Havana covers the career of an artist who is considered a myth and a paradigm. For the first time, in this book, an artistic career everyone talks about is summed up.